The most honored show of the year HADESTOWN to launch national tour in fall 2020; Minneapolis engagement planned

August 13, 2019

WINNER OF EIGHT 2019 TONY AWARDS® INCLUDING BEST MUSICAL

BY ANAÏS MITCHELL
DIRECTED BY RACHEL CHAVKIN

“‘Hadestown’ is quite simply one of the most exquisite works of musical storytelling I’ve seen in my more than 25 years as a theater critic.”
– Charles, McNulty, LOS ANGELES TIMES

MINNEAPOLIS HADESTOWN, the winner of eight 2019 Tony Awards® including Best New Musical announced today on ABC’s “Good Morning America” that the show will launch a National Tour beginning in the Fall of 2020. In its first year, the tour will visit more than 30 cities coast to coast, including (alphabetically) Denver; Houston; Los Angeles; Minneapolis; New Orleans; Philadelphia; Tempe; and Washington, DC; with more to be announced shortly.

Hadestown is the most honored show of the 2018-2019 Broadway season. In addition to the show’s eight Tony Awards, it has been honored with four Drama Desk Awards, six Outer Critics Circle Awards including Outstanding New Broadway Musical and the Drama League Award for Outstanding Production of a Musical.

The acclaimed new musical is by celebrated singer-songwriter and Tony Award winner Anaïs Mitchell and developed with innovative director and Tony Award winner Rachel Chavkin. Hadestown marks the first time in over a decade that a woman has been the solo author of a musical: writing the music, lyrics, and book, and is the fourth time in Broadway history a woman has accomplished this creative feat.

Producers Mara Isaacs, Dale Franzen, Hunter Arnold, and Tom Kirdahy said jointly, “Throughout its development, Hadestown has been deeply influenced by diverse audiences around the world. We have been overwhelmed by the response on Broadway and are thrilled and humbled to now share this beautiful story, written and directed by two amazingly talented women, with audiences across the country.”

Hadestown is already the highest-grossing musical in the history of the Walter Kerr Theatre on Broadway (219 West 48th Street, New York) and continues to sell out nightly with a cast led by Outer Critics Circle Award nominee Reeve Carney, Tony Award winner André De Shields, Tony Award nominee Amber Gray, two-time Tony Award nominee Eva Noblezada, and Tony Award nominee Patrick Page.

The show originated as Mitchell’s indie theater project that toured Vermont which she then turned into an acclaimed album. With Chavkin, her artistic collaborator, Hadestown has been transformed into a genre-defying new musical that blends modern American folk music with New Orleans-inspired jazz to reimagine a sweeping ancient tale.

Following two intertwining love stories — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — Hadestown invites audiences on a hell-raising journey to the underworld and back. Mitchell’s beguiling melodies and Chavkin’s poetic imagination pit industry against nature, doubt against faith, and fear against love. Performed by a vibrant ensemble of actors, dancers, and singers, Hadestown delivers a deeply resonant and defiantly hopeful theatrical experience.

Welcome to the intriguing and beautiful world of “your next musical theater obsession” (Vogue).

The creative team for Broadway features Tony Award winner Rachel Hauck (set design); four-time Tony Award nominee Michael Krass (costume design); two-time Tony Award winner Bradley King (lighting design); Tony Award winners Nevin Steinberg and Jessica Paz (sound design); Chita Rivera Award® winner and three-time Bessie Award® winner David Neumann (choreography); Liam Robinson (music direction and vocal arrangements); Tony Award winners Michael Chorney and Todd Sickafoose (arrangements and orchestrations); Ken Cerniglia (dramaturgy); and Stewart/Whitley (casting).

Hadestown electrified audiences with its 2016 world premiere at New York Theatre Workshop, which is the longest-running show in that celebrated theater’s 40-year history. The production then received its Canadian premiere at Edmonton’s Citadel Theatre in 2017 and then a 2018 sold-out engagement at the London’s National Theatre prior to Broadway. Hadestown was developed with funding from the Eli and Edythe Broad Stage at the Santa Monica College Performing Arts Center and was further developed by The Ground Floor at Berkeley Repertory Theatre. Hadestown was co-conceived by Ben t. Matchstick.

Broadway tickets can be purchased at Ticketmaster.com, by calling (877) 250-2929, or visiting the Kerr box office.

The Hadestown Original Broadway Cast Recording is now available digitally. The album is produced by David Lai, Sicakfoose, and Mitchell on Sing It Again Records.

BIOGRAPHIES

ANAÏS MITCHELL (Music, Lyrics, & Book) is a singer-songwriter whose recordings include the original studio album of Hadestown (2010, featuring Justin Vernon and Ani Difranco) and Young Man In America (2012). Reinterpretations of traditional music include Child Ballads (2013, w/ Jefferson Hamer) and Bonny Light Horseman (2019, as Bonny Light Horseman). She has headlined worldwide and supported tours for Bon Iver, Josh Ritter, and Punch Brothers. She received the 2019 Tony Award and 2019 Outer Critics Circle Award for Best Score for Hadestown, and her music has featured in year-end best lists including NPR, Wall Street Journal, MOJO, Uncut, Guardian, Sunday Times, and Observer.

 RACHEL CHAVKIN (Director) received the 2019 Tony Award, Drama Desk Award, and Outer Critics Circle Award for Best Director of a Musical for Hadestown. She is a director, writer, and dramaturg, as well as the founding Artistic Director of Brooklyn-based ensemble the TEAM (theteamplays.org) whose work has been seen all over London and the U.K. including the National Theatre, the Royal Court, and multiple collaborations with the National Theatre of Scotland. Selected freelance work: Dave Malloy’s Natasha, Pierre, & The Great Comet of 1812 (Ars Nova, A.R.T., Broadway), Matt Gould and Carson Kreitzer’s Lempicka (Williamstown), Caryl Churchill’s Light Shining in Buckinghamshire (New York Theatre Workshop), Marco Ramirez’s The Royale (Old Globe, Lincoln Center), Bess Wohl’s Small Mouth Sounds (Ars Nova, Off-Broadway, national tour), Sarah Gancher’s I’ll Get You Back Again (Round House), and multiple collaborations with Taylor Mac including The Lily’s RevengeAct 2 (HERE). In addition to her awards for Hadestown, Chavkin is a recipient of a Tony Award nomination for Best Direction of a Musical, three Obie Awards, a Drama Desk Award, multiple Lortel Award nominations, two Doris Duke Impact Award nominations, and the 2017 Smithsonian Award for Ingenuity along with Dave Malloy, with whom she is working on an upcoming adaptation of Moby Dick (A.R.T. December 2019). Her first film, Remind Me, was an official selection of the Venice and Beverly Hills Film Festivals. Proud NYTW Usual Suspect and Member SDC.

DAVID NEUMANN (Choreography) received the 2019 Chita Rivera Award and Tony, Drama Desk, and Outer Critics Circle nominations for his choreography for Hadestown. Neumann’s work with Advanced Beginner Group has been presented in New York at PS 122, New York Live Arts, The Kitchen, Central Park Summerstage (in collaboration with John Giorno), and Symphony Space (in collaboration with Laurie Anderson), Abrons Arts Center, The Chocolate Factory, and The Whitney. Advanced Beginner Group has also performed at the Walker Art Center, Jacob’s Pillow, MASS MoCA, American Dance Institute, and Carolina Performing Arts, among others. Neumann has performed with Mikhail Baryshnikov, Big Dance Theater, Doug Elkins, Doug Varone, and Sally Silvers. His work in theater includes An Octoroon at Soho Rep, Underground Railroad Game at Ars Nova, directing Geoff Sobelle in The Object Lesson at BAM Fischer and New York Theater Workshop. He was choreographer on both Hagoromo with Wendy Whelan and Jock Soto and Home at BAM Harvey, Sibyl Kempson’s Let Us Now Praise Susan Sontag, and The Antipodes at Signature Theatre. He was choreographer on Hadestown at NYTW; The Citadel in Edmonton, Canada; and The National Theatre in London. He is the recipient of three New York Dance and Performance “Bessie” Awards (including Best Production in 2015 for I Understand Everything Better).

Connect with HADESTOWN online at:
www.hadestown.com
Facebook: /hadestownofficial
Twitter: @hadestown
Instagram: @hadestown

HENNEPIN THEATRE TRUST drives cultural and economic vitality in Minnesota through leadership of the dynamic Hennepin Theatre District in downtown Minneapolis and educational programming that reaches every area of the state. Its historic theatres — Orpheum, State and Pantages — and new event center at 900 Hennepin light up Hennepin Avenue with top-tier entertainment, including the best of Broadway and a wide variety of arts programming. Hennepin Theatre Trust is a nonprofit 501(c)(3) organization. Learn more at HennepinTheatreTrust.org.

BROADWAY ACROSS AMERICA (BAA) is part of the John Gore Organization family of companies, which includes Broadway.com, The Broadway Channel, BroadwayBox.com and Group Sales Box Office.  Led by 14-time Tony-winning theater producer John Gore (Owner & CEO), BAA is the foremost presenter of first-class touring productions in North America, operating in 45 markets with over 400,000 subscribers. Presentations include Disney’s The Lion King, Wicked, The Book of Mormon, The Phantom of the Opera and Hamilton. Current and past productions include Ain’t Too Proud, Beautiful, Cats, Chicago, Dear Evan Hansen, Mean Girls, Moulin Rouge! and To Kill A Mockingbird.

THE JOHN GORE ORGANIZATION is the leading developer, producer, distributor and marketer of Broadway theatre worldwide. Under the leadership of 14-time Tony-winning theater producer and owner John Gore, its family of companies includes Broadway Across America, Broadway.com, The Broadway Channel, BroadwayBox.com, and Group Sales Box Office. The company presents shows in 45 cities across North America as well as on Broadway, Off-Broadway, London’s West End, Japan, and China. It has won Tony Awards in every producing category as well as numerous other Drama League, Drama Desk and Olivier awards.