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We Are Still Here

On display now

Cultural transmissions facilitate how behaviors are developed and traditions are formed. During the month of November, we celebrate both Thanksgiving and Native American Heritage Month. The artists of the Hennepin Theatre Trust & All My Relations Arts, We Are Still Here cohort, have created work that challenges the audience to disrupt the cultural transmissions embedded in traditions around Thanksgiving, celebrate the contemporary presence of Native American dancers and musicians, and offers a call for healing through truth and reconciliation.

Caution: Rebooting billboard Marvie billboard Bazille billboard We Will Always Be billboard All Children Are Sacred billboard

Thanksgiving, a national holiday, long known as a time of gathering that traces back to a long held belief of a coming together of Native Americans and Pilgrims to celebrate a harvest. For Native Americans, the Thanksgiving holiday leaves out the darker parts of the story, paints Native Americans as willing participants in the taking of Native lands for colonization, and excludes the painful parts of Native American history, including genocide. What would happen if we embraced the full truth of the establishment of this country? What would happen if we as a country showed accountability? What if we reboot the system? This is the question posed by Sheldon Starr in his new piece, Caution: Rebooting.

In celebration of Native American Heritage Month, Ray Janis highlights two contemporary artists in his work, Hechina maka akan unko iyanpi. Hanwi Ohlate Najin Win, Marvie Ferguson-Iron Cloud, is a Jingle Dress Dancer and former Little Miss Oglala Lakota Nation. Talon Bazille Ducheneaux is a rap artist and poet from South Dakota, BATZK.com. By showcasing contemporary, local artists, Ray highlights the present rather than the past; “Hechina maka akan unko iyanpi,” a Lakota phrase which translates to; we are still here walking on this land.

In her new works, All Children are Sacred, and We Will Always Be, Missy Whiteman addresses the painful history of the destruction and desecration of sacred sites and the trauma of Indian boarding schools. Despite the painful parts of our history and historical trauma, Missy shares, “Truth telling and reconciliation are vital to the healing process and today many individuals and families have reconnected with their traditions, languages and practices and  undoing the traumas and mending hearts and spirits.”

We Are Still Here artistsJoin us for Cultural Transmissions: We Are Still Here, a conversation with the artists
Tuesday, November 23 at 2 p.m. – online

Cultural Transmissions: We Are Still Here is an artists talk with the We Are Still Here (WASH) artist cohort Ray Janis, Missy Whiteman and Sheldon Starr, moderated by WASH mentor artist, Jonathan Thunder. In conjunction with newly released artwork by the WASH cohort, this conversation will explore the content and themes behind the artists’ new digital artworks in celebration of Native American Heritage Month.

Registration is free!


Jonathan Thunder artwork with buffalo dropping from the sky with parachutes

Jonathan Thunder artwork with buffalo dropping from the sky with parachutes

The Return of the Freaky Deaky Mashode Bizhiki
by Jonathan Thunder
digital illustration/animation

This series is dedicated to the bison who provided food, clothing, and shelter for generations prior to their calculated extermination by the U.S.A. as a way to starve tribes into dependence and submission.

I see these bison returning to tribes lately as “seed herds” to maintain and support Indigenous food sovereignty and economy.


We Are Still Here is a multiyear collaborative partnership between Native American Community Development Institute [NACDI] and Hennepin Theatre Trust to bring large-scale, high-profile public artworks to the Hennepin Theatre District and the American Indian Cultural Corridor. At the heart of the collaboration is an artist cohort with mentor Jonathan Thunder and mentees Missy Whiteman, Sheldon Star and Ray Janis. This Indigenous public art cohort will promote native storytelling for the built environment along Hennepin Avenue. The cohort will work and learn together over 18-24 months, creating art for digital billboards, animations, projections, building-size banners and murals. Their work culminates in a final project that will be celebrated during both the reopening of Hennepin Avenue after four years of reconstruction and Hennepin Theatre District’s centennial celebration in 2022.

“As a culture-bearer working in contemporary media, Jonathan is the ideal mentor for this group. He brings a wide range of skills from large-scale painting to digital animation and installations,” said Angela Two Stars, All My Relations Arts Director. Thunder, Red Lake Ojibwe, is a multi-disciplinary artist known for the surreal imagery he uses to address the subjects of loss and recovery of Indigenous sovereignty, environmental welfare and humorous social commentary through his paintings, animated and experimental films, installations, and illustration work.

Engaging with native artists and community has been the mission of NACDI since its founding in 2007 and the early creation of the “American Indian Community Blueprint” in 2010. Angela Two Stars, NACDI’s All My Relations Arts director shares, “by interweaving contemporary and traditional storytelling and the allyship of Indigenous communities here in the Twin Cities, we are able to connect the Dakota history of the land and continued connections to our past using the powerful visuals of our contemporary artists.” NACDI’s long-standing commitment to public engagement has enabled them to be a source of leadership and guidance among its network of Native artists and community.

In the Hennepin Theatre District, the Trust transforms the spaces along Hennepin Avenue to create a more vibrant and inclusive environment through its public art projects and programming. “We are proud to have partnered with NACDI to broaden the awareness of Native truth-telling and working together to create a system enabling continued public art and placemaking efforts for the district,” said Mark Nerenhausen, president and CEO for Hennepin Theatre Trust. Nerenhausen said that We Are Still Here will be a catalyst to weave Native culture back into Hennepin Avenue, connecting the District’s community to arts and cultural experiences in unexpected places.

Meet our artist mentor

As part of our We Are Still Here project with NACDI, the cohort designed the works that are currently on display on Clear Channel Outdoor digital billboards in the Hennepin Theatre District.

We Are Still Here

Meet the We Are Still Here cohort

The cohort assists their mentor on several digital billboard designs and learns about the field of public art. Artists will learn skills to translate artwork from analog to digital media and the various platforms and venues that the Trust offers (outdoor events, mobile stage, digital billboards, store-front installations, murals, gallery exhibits and more). While the details of activities will evolve with the interests of the artists, and in line with public health regulations, the timelines will include milestone touchpoints building to a final project that will be featured as part of the Hennepin Theatre District’s centennial celebration in the fall of 2022. 

Throughout this process, Jonathan Thunder will provide the project artists continued mentorship on creating public art for digital media, determining joint projects for public spaces along Hennepin Avenue and providing feedback and evaluations. Ultimately, the cohort will design and implement solo art designs, a gallery installation and the creation of a crown jewel project built on their successes which will be unveiled in the Hennepin Theatre District when Hennepin Avenue reopens in 2022 after four years of reconstruction. Aside from the technical aspects of developing public art, We Are Still Here is meant to equip the artists to create opportunities for community engagement beyond the artists themselves.